Meet the team
Niklas
For me, this project is about remembering a wisdom that was once here, in Europe, in Sweden — and was lost, suppressed, or destroyed. Since it existed in all other native parts of the world, of course it must have existed here too. I believe that when the Divine Feminine was pushed down, the Divine Masculine was lost as well. Without her, he had nothing to hold, to serve, to protect.
This film is about telling that story: what was lost, how it was lost, and what we can gain by bringing it back. To me, the starting point is always the feminine, because when I witness her energy expressed or channeled, I feel a full-body desire to hold, protect, and honor it. And I believe that showing this, giving voice and image to it, will make both the feminine and the masculine rise again — restoring a wholeness that belongs to us.
What I bring is my love for building temples. Physical spaces, energetic spaces, containers where something sacred can flourish and be expressed. One of my life goals is to listen to witches and build temples for them. I see this documentary itself as a temple — a space where the feminine can move freely, be seen, be heard, and be celebrated.
My devotion is in the structure. I think in consequences, details, logistics — making sure the batteries are charged, the rain protection is in place, everything works so the creative flow is never interrupted. I love building that kind of container, where everything runs seamlessly and the magic can unfold without friction.
In that way, I feel kinship with the architects and builders who constructed temples and cathedrals through history — working not just with stone and wood, but with devotion. My offering here is the same: to build the temple that allows this film, and the Goddess it serves, to fully live.
The rise of the feminine is one of my life purposes. In truth, it’s been there my whole life — a constant search for the empowered Goddess, even before I could put words on it. The “official start” came the moment I felt the Goddess alive in me, but in hindsight, everything I’ve created, every video I’ve made, has been part of that search.
Walking the path of witches, learning about what was lost, suppressed, or stolen, has given me a deep resonance with this work. There is sadness in me too — seeing how this piece of us has been taken away, leaving both women and men less whole. What drives me is the longing to bring that wholeness back, to embody the Divine Feminine again, fully, unapologetically, powerfully. That feels like it’s been written in my DNA all along, and now the resolution of that vision just keeps sharpening. I feel deeply honored that Spirit — the Goddess — chose the three of us to weave this project into existence.
Filmmaking is my devotion, my joy, my kink. When I film ceremonies, I can feel it in my body — this service to the Goddess. When I sit for three days straight working on a visual effect because that’s what the film needs, it’s not work, it’s love. That’s the level of devotion I bring.
My artistry is in both extremes: hypnotic one-shots that draw the viewer in like a spell, and editing that feels alive, intricate, and intentional. Usually, in documentaries, you see one or the other — either endless cutting or endless stillness. I want to bring both. The poetry of the one-shot, combined with the precision and power of editing. This is my expertise, my craft, and my joy. And to bring that into a film devoted to the Goddess feels like the dream of a lifetime.
Arthur
Cim
For me, this film feels like an honor — almost a responsibility. I feel in devotion and service to what wants to happen through us, listening with every hair raised, every ear open. There’s such deep trust and joy in sitting with these two men, knowing our paths are intertwined for this reason. I’m ready for an epic adventure filled with healing, love, creation, and play.
For me, the heart of this movie is the liberation of the divine feminine, the goddess, Her. And it’s such a blessed time to be here at this time when her energy and aliveness is safe to move and express after generations of suppression. I want to share that joy, to help others reconnect with their own aliveness and divinity. I love being a “yes activist,” moving toward life and creation rather than against anything. My heart feels like a spiritual warrior on this path.
What I bring is my eye and heart as a photographer and filmmaker. I’ve been painting with light since I was a child — composition, colors, movement, they’re in my DNA. The camera feels like an extension of my body, like a brush on a canvas. Now, filming adds another layer: it’s not just about capturing moments, but movement, embodiment, aliveness. I feel this incredible honor that we are among the first to truly capture Shakti embodied on film. That transmission itself will be medicine.
And then there is my witch’s gift — to listen, to receive guidance, to follow the cues of Spirit. That is how this whole project was born, and it’s what I’ll keep bringing: openness, devotion, and joy for what wants to come through us.